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Alma redemptoris mater (152 works)
Ave regina caelorum (233 works)
Regina caeli (400 works)
Salve regina (539 works)

Alma redemptoris mater, Ave regina caelorum, Regina caeli, Salve regina

1400-1615


Mary, the Virgin Mother, Queen of Heaven, Mother of Christ, as well as many other titles, has been the object of veneration since the early days of the Christian Church. The personification of purity and grace, Mary was viewed as the mediatrix, the compassionate and accessible one, who could intercede on behalf of the worshipper. Art, music, literature and architecture testify to her place within the culture and history of the cult associated with her. It was particularly during the Renaissance that composers expressed their admiration in music that resulted in a large repertoire for liturgical and devotional purposes.


Modern editions of the Marian antiphons transcribed and edited by Harry Elzinga are forthcoming.

Musicologists interested in contributing are invited to contact the responsible of the project, Harry Elzinga.

Files

Preface

Introduction

Guidelines

Voice Terminology

Bibliography

Marian antiphons according to number of voices

Alternatim Settings

Contributors

Ailin Arjmand

Harry Elzinga

Stefano Mengozzi

Suzy Piat

Vilena Vrbanić


Oratio Colombani circa 1550-1595

Roles: Composer

Orazio Vecchi 1550-1605

Roles: Choirmaster ; Cleric ; Composer ; Member of a court chapel (musician) ; Teacher

Orfeo Vecchi circa 1551-1603

Roles: Composer

Orlande de Lassus circa 1532-1594

Roles: Choirboy ; Choirmaster ; Composer ; Member of a princely/private household ; Singer ; Tenor

Roles: Music printer ; Printer/Publisher

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https://ricercardatalab.cesr.univ-tours.fr/projects/19/

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Elzinga Harry, Catalogue of Polyphonic Marian Antiphons, in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/projects/19/] (accessed 07 March 2026).