Salve regina [482]

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SR482 Salve regina 3 vv

Type

Motet

Partitions

Polyphonic ensemble STX

S-C1; T-C2; Ct-F4. Chant (App. 4) cast as breves and semibreves, introduces textual phrases within an imitative texture (e.g., “salve regina,” mm. 1-15 and “Eya ergo,” mm. 133-9) and emphasizes specific words (e.g., “Et Jesum, T, mm. 175-9; “nobis,” T and S, mm. 196-201; and “virgo,” S, mm. 255-8), and appears as a cantus firmus in verses 7, “O clemens” and 8, “O pia” (mm. 218-41). Passages in parallel tenths (S/Ct, mm. 83-7 and S/Ct, mm. 150-5) and thirds (S/T, mm. 156-7), a sequential segment (C/Ct, mm. 235-42), and double-leading tone cadences (mm. 28-30 and 49-50) suggest a work by a late 15th-century Franco-Flemish composer. Contrasting triple mensuration distinguishes “valle,” conclusion of verse 4 (mm. 126-33), “benedictum…tui” (mm. 180-95), “O clemens,” verse 7 (mm 218-25) and “virgo Maria,” conclusion of verse 9, (mm. 255-68). A reduction of voices (S and Ct) for the three acclamations may be unique to this antiphon. The word “mater” is omitted from verse 1. Ct is textless from dul[cedo] to verse 7 (mm. 33-218); S without text from verse 4-7 (mm. 73-218). Final d.

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Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

[CMM 76]

Cattin, G. (éd.), 1977, Italian Laude and Latin Unica in MS Cape Town, Grey 3.b.12.
(n° 40)

Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2431/

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Salve regina [482], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2431/] (accessed 30 janvier 2026).

Dernière modification : 9 décembre 2025