Salve regina [422]

Christian Erbach

Titre complet / Autres titres

SR422 Salve regina 6 vv

Type

Motet

Partitions

Polyphonic ensemble SATXX

C-G2; Sx-G2?; A-C2; T-C3; Q-C3. B-F3. High clefs. Entire range, G-g’’. “Salve” intonation (C). Chant (App. 4) also introduces “regina” (T, A, C, B) to permeate the imitative texture (mm. 1-5); plainsong associated with “Et Jesum benedictum” cast as semibreves (B) supports a full voice contrapuntal texture. Imitation defines segments concurrent with “regina” (mm. 1-5), “in hac lachrimarum” (mm. 24-6) and “illos tuos” (mm. 36-40). Contrasting triple mensuration coupled with homorhythmic texture initiates verse 5 (“Eia…nostra,” mm. 31-7), the centerpiece of the antiphon. A variety of voice groupings provide contrast in this well crafted antiphon. Descending voice lines traversing E-flat and c tonal areas depict “in hac lachrimarum valle”). Final g, b♭ signature; several e-flats included in MS.

Personnes associées

Christian Erbach - Composer

Lieu et date de création

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Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2371/

Citation
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Salve regina [422], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2371/] (accessed 31 janvier 2026).

Dernière modification : 4 décembre 2025