Salve regina [362]

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SR362 Salve regina 5 vv ; [2.p.] Eia ergo 5 vv ; [3.p.] Et Jesum 5 vv

Partitions

[1] Salve regina

Polyphonic ensemble SSATB

D I-G2; D II-C1; [A]-C2; [T]-C3; B-C4. High clefs. Entire range, c-g’’. No evidence of chant. Tripartite structure manifests proportional symmetry (1.p., 40 mm., 2.p., 20 mm., 3.p., 30 mm.). Antiphon verses and textual phrases are delineated through cadential articulation, texture, rhythmic gestures and text repetition. Pars 1 illustrates various voice combinations and text repetition: “salve…,” D I, D II, A, T, mm. 1-4; 4 overlapping statements of v. 2, “vita…salve,” full voice, mm. 4-14; “ad…exules,” D II, A, T, 14-6; “ad…Evae,” full voice, mm. 16-20. A minum rest in all voices separates verses 3 & 4. The remainder of 1.p. (mm. 21-40) consists of full-voice sections for “ad te…flentes,” mm. 20-25 and four statements of “in hac…valle,” mm. 29-40; the two sections are joined by three phrases with reduced voices: “gementes et flentes,” D I, A, T, mm. 25-6; “in hac…valle,” D II, A, T, mm. 26-8; and “in hac…valle,” DI, DII, A, T, 28-9. Homophonic and homorhythmic styles with independent voices prevail. Syllabic text setting defines the antiphon. Final d (1.p. & 2.p.) a (3.p.).

[2] Eia ergo

Polyphonic ensemble SSATB


[3] Et Jesum

Polyphonic ensemble SSATB

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2311/

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Salve regina [362], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2311/] (accessed 30 janvier 2026).

Dernière modification : 4 décembre 2025