Salve regina [326]

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Titre complet / Autres titres

SR326 Salve regina 6 vv

Type

Motet

Partitions

Polyphonic ensemble SSATTB

C I-C1; C II-C1; A-C3; T I-C4; T II-C4; B-F4. C voices are equal. Entire range, E-e’’. No evidence of chant. Textual phrases are defined through contrast of voice groupings, cadential treatment and mensuration. Verse 1, “salve…misericordiae,” scored for full-voice texture (mm. 1-7), is followed by contrasting voice groups for verse 2, “vita…salve”: “vita dulcedo,” C I, C II, A, T II, mm. 8-9; “et spes nostra salve,” A, T I, T II, B, mm. 9-11. Descending vocal lines depict “in hac lachrimarum valle” (mm. 24-7). Triple mensuration, full-voice texture and homorhythm define “nobis…ostende” (mm. 51-8). Descending intervals (mm. 63-6) emphasize the final acclamation, “O dulcis…” (e’’-a’, C I; d’’-g♯’, C II; and e’-g♯, T II). Third-related chords including cross relationships underscore specific passages (e.g., “ad te supiramus,” mm. 18-9, G-E with g/g♯). Final d; b-flats included in MS.

Description

D-Mbs Mus.ms. 8 (dated 1611) opens with an unattributed cycle of the four Marian antiphons (SR326, AR121, AC169, & RC270), all for 6 vv with similar style characteristics, most likely by Giacomo Perlazio (d 1612). The Veronese priest was Vizekapellmeister at the Bavarian court chapel (1609-12) but had been associated with the Munich chapel since 1592. He is reported to have assembled a bound book “mit Magnificat und andern Kirchengesang.” In addition to the four antiphons, D-Mbs Mus.ms. 8 also includes eight Magnificats and 4 additional pieces, all anonymous. (Fisher, 2008, ftnt. 67).

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

[Celestial sirens and nightingales]

Fisher, A. J., 2008, Celestial sirens and nightingales: Change and assimilation in the Munich anthologies of Georg Victorinus, Journal of seventeenth-century music, 14, https://research.ebsco.com/linkprocessor/plink?id=bb57fe05-e2d4-3834-a513-3ba4a88b4183 (consulté le 14 novembre 2025).

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2275/

Citation
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Salve regina [326], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2275/] (accessed 30 janvier 2026).

Dernière modification : 20 janvier 2026