Salve regina [316]

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SR316 Salve regina 8 vv

Type

Motet

Partitions

Polyphonic ensemble SSATBXXX

Two contrasting choirs. Chr. I: D I-??; A-C3; T-C4; B-4. Range, D-e’’. Chr. II: D II-C1; Sp-C3; Q-C4; O-F4. Range, A-e’’. Though not included in MS, the “Salve” intonation most likely precedes the initial T statement that quotes the first three chant pitches associated with “regina.” Additional brief references to chant (App. 4) concur with “ad te clamamus” (mm. 16-7) and “illos” (mm. 44-5). Textual phrases are differentiated through antiphonal treatment, texture and rhythmic gestures. Two textual phrases are accompanied by voices from both choirs: “regina mater” (Chr. I, D I & Q; Chr. II, D II, mm. 1-5) and “ad te clamamus…Evae” (Chr. I, D I & A; Chr. II, D II & Sp, mm. 16-22). Full voice texture with imitation of melodic/rhythmic gestures unique to each choir or disposed throughout 8 voices prevails: “regina mater, mm. 5-8; “vita…salve,” mm. 10-16; “gementes et flentes, 25-9; “eya ergo,” mm. 33-6; “illos tuos misericordes,” 43-50; “Et Jesum,” mm. 54-6; “nobis post hoc exilium ostende,” mm. 61-3; and “O dulcis virgo Maria,” mm. 74-8. Primarily cast in semibreves, “O clemens” and “O pia” contrast with surrounding material in this well crafted antiphon. Final d, b♭ signature.

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2265/

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Salve regina [316], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2265/] (accessed 31 janvier 2026).

Dernière modification : 4 décembre 2025