Salve regina [284]

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Titre complet / Autres titres

SR284 Salve regina 6 vv

Type

Motet

Partitions

Polyphonic ensemble SSATTB

[S I]-G2; [S II]-G2; [A]-C2; [T I]-C3; [T II]-C3; [B]-F3. High clefs. Entire range, B♭-g’’. “Salve” motto, primarily in semibreves, appears within an imitative fabric (A, mm.1-3; T II, mm. 1-2; B, mm. 2-5; T I, mm. 4-7). A layered texture of two equal S voices, supported by two to four lower voices, yields considerable variety of voice combinations in the antiphon; only two segments (“advocata nostra,” mm. 32-4 and “O dulcis virgo Maria,” mm. 55-60) are for full choir. Pitch inflection (d-e♭) in lowest voice coupled with harmonic progression (d-c) and similar voice movement provides another unifying feature: “gementes,” (A, T I, T II, B) mm. 25-6; “et flentes,” (S I, S II, A, T I); “et Jesum,” 40-1 (A, T I, T II, B); and “O pia,” mm. 53-5 (S I, T I, T II, B). Declamatory text setting in syllabic style prevails. Final g, b♭ signature.

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Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2233/

Citation
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Salve regina [284], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2233/] (accessed 31 janvier 2026).

Dernière modification : 4 décembre 2025