Salve regina [261]

Orfeo Vecchi

Titre complet / Autres titres

SR261 Salve regina 4 vv ; [2.p.] Eya ergo 3 vv ; [3.p.] Et Jesum 4 vv

Type

Motet

Partitions

[1] Salve regina

Polyphonic ensemble SATB

C-G2; A-C2; T-C3; B-C4. High clefs. Entire range. c-g’’. Chant (App. 4) performs a significant role introducing textual phrases and serving as cantus firmus. Initial pitches accompanying a specific phrase may be set apart in semibreves or breves (“Et Jesum”) and invariably permeate the imitative texture. A cantus firmus distinguished by long note values defines verse 7, “O clemens” (A) and verse 8, “O pia” (C). Verdelot subsitutes the “salve” motto for the chant that accompanies the final word (“salve”) of verse 2. The word “mater” is omitted from verse 1. Text setting includes syllabic and melismatic styles with limited concern for declamation. Final g, b♭ signature.
[2] Eya ergo

Polyphonic ensemble

[3] Et Jesum

Polyphonic ensemble SATB

Personnes associées

Orfeo Vecchi - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

Copié !

Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

[CMM 28 - III]

Verdelot, P., 1979, Philippe Verdelot, Opera Omnia, Bragard A.-M. (éd.).
(n° 12)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

Partager

Permalien
Copié !

https://ricercardatalab.cesr.univ-tours.fr/works/2210/

Citation
Copié !

Salve regina [261], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2210/] (accessed 31 janvier 2026).

Dernière modification : 3 décembre 2025