Salve regina [224]

Jacob Reiner

Titre complet / Autres titres

SR224 Salve regina 6 vv

Type

Motet

Partitions

Polyphonic ensemble SAATBX

D-G2; Sx-G2; A-C2; A-C3; T-C3; B-F3. High clefs. Entire range, G-g’’. Two equal treble (D, Sx) voices. No evidence of chant. Textual phrases or sections of phrases are differentiated through contrasting voice groups and antiphonal effects within a homophonic/homorhythmic texture (e.g., “O clemens, O pia,” in triple mensuration, mm. 51-9) as well as segments comprised of independent voices (e.g. “illos…ostende,” mm. 33-50). Antiphonal effects introduce the motet. “Salve regina,” first stated by upper 3 voices (D, Sx, A, mm. 1-2), is followed by A, T, B a fifth lower (mm. 3-4) and culminates with full-voice texture (mm. 5-9). A duo (D, Sx) introduces the 5th textual phrase, “Eya…nostra” (mm. 28-33); a trio (D, Sx, A) concludes the verse, “illos…converte” (mm. 33-9). More than a third of the antiphon is full-voiced: “salve…miserecordiae,” mm. 5-9; “et Jesum…ostende” mm. 40-50; and “O clemens…Maria,” mm. 57-67. Declamatory text setting in syllabic style prevails. Final g; b♭ signature, e-flats in R 1084, or editorially required.

Personnes associées

Jacob Reiner - Composer

Lieu et date de création

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2173/

Citation
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Salve regina [224], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2173/] (accessed 31 janvier 2026).

Dernière modification : 3 décembre 2025