Salve regina [222]

Jacob Regnart

Titre complet / Autres titres

SR222 Salve regina 5 vv ; [2.p.] Eya ergo 5 vv ; [3.p.] O clemens 5 vv

Type

Motet

Partitions

[1] Salve regina

Polyphonic ensemble SATBX

D-G2; Q-C1; A-C2; T-C3; B-C4. High clefs. Chant (App. 4) emphasizes specific words: embellished “salve” motto, (D, mm. 1-3);
“salve,” (T, mm. 4-6); “vita,” (B, T, mm. 8-10); “Et Jesum,” (B, mm. 62-4); “nobis,” (B, mm. 72-4 & A-mm. 73-5). The “salve” motto also underscores the “salve” that conludes v. 2 (T, mm. 15-7). Chant, in semibreves, serves as a cantus firmus with the acclamations “O clemens” and “O pia” (mm. 83-94). A contrapuntal texture with brief, imitative passages (e.g., “ad te,” A/B, mm. 18-20; “illos,” Q/A, mm. 31-2), markedly independent voices, and overlapping phrases prevails. A full-voice texture defines 1.p. Note: T & B are silent for the first 19 mm. of 2.p. (mm. 43-62) and B is absent for the initial 6 mm of 3.p. (mm. 82-7). Final g, b♭ signature.
[2] Eya ergo

Polyphonic ensemble SATBX

[3] O clemens

Polyphonic ensemble SATBX

Personnes associées

Jacob Regnart - Composer

Lieu et date de création

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Sources associées

Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2171/

Citation
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Salve regina [222], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2171/] (accessed 31 janvier 2026).

Dernière modification : 3 décembre 2025