Salve regina [219]

Georg Prenner

Titre complet / Autres titres

SR219 Salve regina 6 vv

Type

Motet

Partitions

Polyphonic ensemble STTB

[S I]-C1, [S II]-C1, [A]-C3; [T I]-C4; [T II]-C4; [B]-F4. Chant is limited to paraphrase of initial “salve” (S I and A) and quotation of “nobis” motive (T I, S I, B, mm. 55-66) of verse 6. Textual verses and phrases are delineated through contrast of character that involves melodic and rhythmic materials, voice groupings, texture, mensuration and presence of expressive harmonic language. Therefore, the full-voice homorhythmic section in triple mensuration[1] that underscores “miserecordes oculos ad nos converte” is striking. Similar melodic and rhythmic gestures introduce verses 1, 4 (mm. 24-6) and 5 (mm. 38-40) to provide a degree of unity. Declamatory text primarily in syllabic style defines setting. Final a; several g-sharps at cadential points must be added

1. Notation in coloration designates triple mensuration; however, the black notes may also graphically (“eye music”) convey the serious content of the accompanying text.

Personnes associées

Georg Prenner - Composer

Lieu et date de création

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Sources associées

Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2168/

Citation
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Salve regina [219], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2168/] (accessed 31 janvier 2026).

Dernière modification : 3 décembre 2025