Salve regina [206]

Dominique Phinot

Titre complet / Autres titres

SR206 Salve regina 5 vv

Partitions

Polyphonic ensemble SATBX

C-G2; A-C2; Q-C3; T-C3; B-F3. High clefs. Entire range, B♭-f’’. A slightly paraphrased chant (App. 4) introduces most textual phrases within an imitative, contrapuntal texture with overlapping phrases. Except for imitative segments the antiphon is full voiced. The final three acclamations (verses 7-9) exhibit no influence of chant and are concisely constructed (mm. 73-9); the section is immediately repeated (mm. 79-86) with Q and T exchanged. A two-measure cadential pattern concludes the motet. The word “mater” is omitted in verse 1. Declamatory text setting prevails. Final g, b♭ signature.

Description

External link:
CPDL 20805 [Choral Public Domain Library]

Personnes associées

Dominique Phinot - Composer

Lieu et date de création

Aucune information.

Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

[CMM 59 - II]

Phinot, D., 1972, Dominique Phinot, Opera Omnia, Höfler J. et Jacob R. (éd.).
(n° 3)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Permalien
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https://ricercardatalab.cesr.univ-tours.fr/works/2155/

Citation
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Salve regina [206], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2155/] (accessed 31 janvier 2026).

Dernière modification : 3 décembre 2025