Salve regina [122]

Marc’Antonio Ingegneri

Titre complet / Autres titres

SR122 Salve regina 6 vv

Partitions

Polyphonic ensemble SATBXX

C-G2; Sx-C1; A-C2; Q-C2; T-C3; B-C4. High clefs. Entire range, c-g’’. No evidence of chant. Textual phrases are distinguished through motivic material, texture, mensuration and expressive use of harmonic progressions. Within an imitative, contrapuntal texture, overlapping phrases define verses 1-4 (mm. 1-36) and the second half of verse 5 (mm. 44-57) that surround the first half of verse 5 (“Eia ergo…), the centerpiece of Salve regina, set apart in triple mensuration with antiphonal effects (mm. 37-44). Silence precedes verse 6, “Et Jesum…” Ingegneri repeats verse 9, “O dulcis virgo Maria” (mm. 74-80 equals mm. 80-6). Colorful harmonic progressions express specific textual phrases: “in hac lacrimarum valle,” g, E♭, A♭, E♭, g, D; and “O clemens, O pia,” d, B♭, A, D, g, E♭, D. A declamatory text setting prevails. Final g, b♭ signature.

Personnes associées

Marc’Antonio Ingegneri - Composer

Lieu et date de création

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Sources associées

Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

[Ingegneri, 1994, vol. 5]

Ingegneri, M. A., 1994, Opera omnia, Sabaino D. (éd.), Lucca.
(n° 18)

Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2071/

Citation
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Salve regina [122], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2071/] (accessed 31 janvier 2026).

Dernière modification : 1 décembre 2025