Salve regina [098]

Simone Gatto

Titre complet / Autres titres

SR098 Salve regina 6 vv

Type

Motet

Partitions

Salve regina

Polyphonic ensemble SSATTB

[S I]-G2; [S II]-G2; [A]-C2; [T I]-C3; [T II]-C3; [B]-F3. High clefs. Entire range, A-a’. No evidence of chant. Within a primarily homorhythmic fabric textual phrases are delineated through contrasting rhythmic gestures and voice groupings, as well as cadential treatment. Gatto’s overall structure combines verses 1 and 2 in a full voice setting, verses 3 and 4 with brief antiphonal treatment of “suspiramus,” and verse 5, the centerpiece, in contrasting four-voice groups (“Eia ergo,” four lower voices; “advocata nostra,” four upper voices; and “illos tuos misericordes oculos ad nos converte,” four lower voices); a brief silence precedes verse 6 (“Et Jesum…”), introduced by four upper voices. The final 3 verses display an expressive setting of the acclamations through pitch inflection (a, b♭, a) in long note values, harmonic progressions and imitative density. Declamatory text setting defined by syllabic style. Final a.

Personnes associées

Simone Gatto - Composer

Lieu et date de création

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Sources associées

Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2047/

Citation
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Salve regina [098], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2047/] (accessed 31 janvier 2026).

Dernière modification : 1 décembre 2025