Salve regina [027]

Giovanni Matteo Asola

Titre complet / Autres titres

SR027 Salve regina 8 vv

Partitions

Salve regina

Polyphonic ensemble SSAATTBB

Two contrasting choirs. Chr. I: C-C1; A-C3; T-C4; B-F4. Range, A-c’’. Chr. II: C-C3; A-C4; T-C4; B-F4. Range, G-a’. Chant is limited to “salve” motto in breves and semibreves, the subsequent plainsong accompanying “regina” (Chr I, C and Chr. II, T) and “Et Jesum” motive (B, mm. 65-6). Alternation of overlapping two to five-measure textual phrases between high and low choirs involves the principal structural device. Asola restates the entire texture associated with “Eia ergo” (Chr. I) a fourth lower (Chr. II), mm. 44-8; antiphonal treatment of other phrases (e.g., “salve regina,” “mater misericordiae” and “ad nos converte”) involves contrasting music materials. Tutti sections “ad te clamamus” (mm. 20-4), “in hac…valle” (mm. 38-43), “et Jesum benedictum” (mm. 65-9) and “O dulcis…Maria” (mm. 96-103) constitute about one-fifth of the antiphon; choirs are harmonically independent. Declamatory text setting with in predominantly homophonic texture prevails. Final d.

Personnes associées

Giovanni Matteo Asola - Composer

Lieu et date de création

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Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1976/

Citation
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Salve regina [027], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1976/] (accessed 18 mars 2026).

Dernière modification : 28 novembre 2025