Salve regina [026]

Giovanni Matteo Asola

Titre complet / Autres titres

SR026 Salve regina 6 vv ; [2.p.] Eya ergo 6 vv ; [3.p.] Et Jesum 6 vv

Type

Motet

Partitions

[1] Salve regina

Polyphonic ensemble SATBXX

S-G2; Sx-C1; A-C2; T-C3; Q-C3; B-C4. High clefs. No evidence of chant. To complement textual symmetry Asola created a symmetrical musical structure with verse 5, “Eya…converte” as the centerpiece: 1.p., 34 mm.; 2.p., 10 mm.; 3.p., 32 mm. Except for initial imitation between T and S (mm. 1-5), a homorhythmic style with independent voices dominates. Antiphonal effects associated with specific words or textual phrases (e.g., “vita dulcedo,” “et spes nostra, salve,” “ad te suspiramus,” “misericordes” and “ O dulcis virgo”) involve juxtaposition of upper and lower voices (e.g., S, Sx, T/A, T, Q, B) to contrast with the full choir. Declamatory style with syllabic text setting prevails. Final d.
[2] Eya ergo

Polyphonic ensemble SATBXX

[3] Et Jesum

Polyphonic ensemble SATBXX

Personnes associées

Giovanni Matteo Asola - Composer

Lieu et date de création

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Textes

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Permalien
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https://ricercardatalab.cesr.univ-tours.fr/works/1975/

Citation
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Salve regina [026], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1975/] (accessed 30 janvier 2026).

Dernière modification : 28 novembre 2025