Regina caeli [264]

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Titre complet / Autres titres

RC264 Quia quem meruisti 6 vv ; [2.p.] Ora pro nobis 6 vv

Partitions

[1] Quia quem meruisti

Polyphonic ensemble SSTTBX

[S I]-C2; S II-C1; Ct-C3; T [I]-C4; T [II]-C4; B-F4. Alternatim setting. Chant (App. 3) permeates the imitative texture at the beginning of both partes; subsequent text repetition usually includes newly composed material. “Alleluia” sections are defined by paraphrase of appropriate concurrent chant. To complement symmetry of alternating chant and polyphony the composer created two pars of equal length: 1.p., 40 mm. and 2.p., 39 mm. Antiphonal treatment of “alleluia” (mm. 30-6) that concludes pars 1 involves overlapping alternation of two-measure phrases between T I, T II and B, and S I, S II and Ct. Limited attention to text underlay. Final F, b♭ signature.

[2] Ora pro nobis

Polyphonic ensemble SSTTBX

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1813/

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Regina caeli [264], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1813/] (accessed 30 janvier 2026).

Dernière modification : 24 novembre 2025