Regina caeli [205]

Cesare Tudino

Titre complet / Autres titres

RC205 Regina caeli 5 vv

Partitions

Polyphonic ensemble SATBX

C-G2; A-C1; Q-C2; T-C3; B-C4. High clefs. Entire range, c-e’’. Following imitative, anticipatory statements of “regina caeli” in A, C and B, chant (App. 3), transposed a fifth higher as a continuous cantus firmus, enters in m. 4 of the Q with omission of some melismas (“laetare,” the second melisma of “portare” and a portion of final “alleluia”). Motives (“quia quem,” “resurrexit” and “ora”) articulate textual phrases. Whereas the cantus firmus reflects a monorhythmic style the other voices exhibit rhythmic gestures combining semibreves, minums and semiminums within a fully voiced contrapuntal texture. Final C.

Personnes associées

Cesare Tudino - Composer

Lieu et date de création

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Sources associées

Textes

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliographie

Éditions modernes

[Tudino, 1997]

Tudino, C., 1997, Cæsaris Tudini Canonici & Musici Cathedralis Ecclesiæ Adriensis Mottetorum Quinque Vocibus Liber Primus (Venice Vincenti, 1588), Sherr R. (éd.), New York, N.Y.
(n° 16)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1754/

Citation
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Regina caeli [205], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1754/] (accessed 30 janvier 2026).

Dernière modification : 21 novembre 2025