Regina caeli [188]

Jacob Reiner

Titre complet / Autres titres

RC188 Regina caeli 6 vv

Partitions

Polyphonic ensemble SATBXX

D-C1; Q-C1; A-C3; Sx-C4; T-C4; B-F4. Two upper voices (D & Q) share same range (d’-f’’). Entire range, F-f’’. Chant, notated as black breves, serves as a continuous cantus firmus (T); melismas associated with “laetare” and “portare” are abbreviated and the final “alleluia” has been replaced by a variant of the first “alleluia.” An e♭ follows the first “d” in “quia quem” as well as “resurrexit.” Brief references to plainchant appear in the voices surrounding the cantus firmus. Imitation of rhythmic motives characterizes initial measures of “regina coeli”; there follows a full-voice texture replete with rhythmic gestures primarily composed of minums, semiminum and fusae. A syllabic text setting prevails except for “fusae” passages (dotted semiminums followed by three, five or seven fusae) and a melismatic “alleluia” segment (mm. 27-30). A jubilant, festive character defines the antiphon. Final F, b♭ signature; several e-flats in R 1088, but additional editorial e-flats required.

Personnes associées

Jacob Reiner - Composer

Lieu et date de création

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Sources associées

Textes

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliographie

Éditions modernes

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Références

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Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1737/

Citation
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Regina caeli [188], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1737/] (accessed 30 janvier 2026).

Dernière modification : 21 novembre 2025