Regina caeli [187]

Jacob Regnart

Titre complet / Autres titres

RC187 Regina caeli 4 vv ; [2.p.] Quia quem meruisti 4 vv ; [3.p.] Resurrexit 4 vv ; [4.p.] Ora pro nobis 4 vv

Type

Motet

Partitions

[1] Regina caeli

Polyphonic ensemble SATB

[S]-C1; [A]-C3; [T]-C4; [B]-F4. Regnart’s setting comprises four brief partes (13, 18, 20, and 19 measures, respectively), that rely upon chant (App. 3) to varying degrees. Although the “alleluia” sections are independent of chant, the following textual phrases manifest chant borrowings that permeate the imitative texture: “regina caeli,” “quia…meruisti,” “resurrexit…dixit” and “ora…Deum.” The second (“quia…”), third (“resurrexit…”) and final (“ora…”) textual phrases begin with invertible counterpoint. Declamatory text setting in syllabic style prevails. Final F, b♭ signature.
[2] Quia quem meruisti

Polyphonic ensemble SATB

[3] Resurrexit

Polyphonic ensemble SATB

[4] Ora pro nobis

Polyphonic ensemble SATB

Personnes associées

Jacob Regnart - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

Copié !

Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliographie

Éditions modernes

Aucune information.

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

Partager

Permalien
Copié !

https://ricercardatalab.cesr.univ-tours.fr/works/1736/

Citation
Copié !

Regina caeli [187], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1736/] (accessed 30 janvier 2026).

Dernière modification : 21 novembre 2025