Regina caeli [142]

Vincent Misonne

Titre complet / Autres titres

RC142 Regina caeli 4 vv

Partitions

Polyphonic ensemble SATB

S-C1; A-C3; T-C4; B-F4. Chant (App. 3), at times set apart in semibreves (e.g., “resurrexit sicut dixit”), permeates the imitative, contrapuntal texture. Textual phrases are defined through borrowing of chant material, contrast of texture and cadential patterns. For the “alleluia” that follows “resurrexit…dixit” a three-measure phrase (mm. 46-49) for three voices is restated (mm. 49-52) with rearrangement of voices, first with chant in the B and then in T. A two-voice texture (B and A) with chant in the B introduces “ora…Deus.” The final “alleluia” comprises almost a third of the motet. Declamatory text setting prevails. Final F, b♭ signature.

Description

External link:
CPDL 65521 [Choral Public Domain Library]

Personnes associées

Vincent Misonne - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliographie

Éditions modernes

[CMM 95]

Josephson, N. S., 1982, Early sixteenth-century sacred music from the Papal chapel.
(n° 26)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

Partager

Permalien
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https://ricercardatalab.cesr.univ-tours.fr/works/1691/

Citation
Copié !

Regina caeli [142], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1691/] (accessed 31 janvier 2026).

Dernière modification : 20 novembre 2025