Regina caeli [118]

Johannes de Lymburgia

Titre complet / Autres titres

RC118 Regina celi 3 vv ; [2.p.] Ora pro nobis 3 vv

Partitions

[1] Regina celi

Polyphonic ensemble SX

[C]-C2; [Ct]-F3. A measured intonation, “regina celi,” appears in C with a corona over each pitch; the transposed chant melody, intact at the beginning of textual phrases and thereafter paraphrased, is limited to the C. As the directive “tenor letare faulx bourdon” suggests the T duplicates the C at the lower fourth. The intervals of a sixth and octave typically occur between C and Ct. Textual phrases or specific words are framed by rests and often conclude with under-third melodic cadences. Melismatic style characterizes the text setting in the C, the only texted voice. The final textual phrase “ora…alleluia” in triple mensuration contrasts with duple mensuration of preceding material. Final C.

[2] Ora pro nobis

Polyphonic ensemble SX

Personnes associées

Johannes de Lymburgia - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliographie

Éditions modernes

[Etheridge, 1972]

Etheridge, J. H., 1972, The Works of Johannes de Lymburgia, Thèse de doctorat soutenue à , 1972.
(pp. 153-8)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

Partager

Permalien
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https://ricercardatalab.cesr.univ-tours.fr/works/1667/

Citation
Copié !

Regina caeli [118], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1667/] (accessed 31 janvier 2026).

Dernière modification : 20 novembre 2025