Regina caeli [085]

Elzéar Genet dit Carpentras

Titre complet / Autres titres

RC085 Regina caeli 4 vv

Partitions

Regina caeli

Polyphonic ensemble SATB

[S]-C1; [A]-C3; [T]-C4; [B]-C5. Chant (App. 3) plays a fundamental role in the antiphon. Within an imitative, contrapuntal texture each textual phrase, including “alleluia” sections following the second and fourth phrases, introduces chant in semibreves. Cadences clearly define the conclusion of phrases; a series of triplets in the B form a bridge between the first and second textual phrases. The final “alleluia,” (mm. 55-83) primarily based upon chant, constitutes a third of the antiphon. Textual setting exhibits syllabic style at beginning of textual phrases with considerable melismatic treatment of the remainder of the setting. Final F, b♭ signature.

Personnes associées

Elzéar Genet dit Carpentras - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliographie

Éditions modernes

[CMM 58]

Genet, E., 1972, Elzéar Genet (Carpentras), Opera Omnia, Seay A. (éd.).
(n° 11)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Permalien
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https://ricercardatalab.cesr.univ-tours.fr/works/1634/

Citation
Copié !

Regina caeli [085], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1634/] (accessed 01 février 2026).

Dernière modification : 19 novembre 2025