Regina caeli [083]

Elzéar Genet dit Carpentras

Titre complet / Autres titres

RC083 Regina caeli 4 vv

Partitions

Regina caeli

Polyphonic ensemble SATB

S-C1; A-C3; T-C3; B-F3. Although S and T include most complete statements of chant, usually in semibreves, chant (App. 3) decidedly permeates the imitative, contrapuntal texture. Textual phrases are defined by chant quotations and cadential patterns except for the last phrase “ora…Deus” that begins in the T in the middle of the previous “alleluia” section. The final “alleluia” segment (mm. 67-100) constitutes almost a third of the antiphon including repetition of full texture (mm. 91-4 equals mm. 95-8. Textual setting exhibits syllabic style at beginning of textual phrases and considerable melismatic treatment of “alleluia” sections.[1] Final F, b♭ signature.

1. A six-measure phrase in the S of RC083 (mm. 77-83) is quoted in the A (mm. 59-65) of RC084 with an abbreviuated statement in T (mm. 66-9).

Personnes associées

Elzéar Genet dit Carpentras - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliographie

Éditions modernes

[CMM 58]

Genet, E., 1972, Elzéar Genet (Carpentras), Opera Omnia, Seay A. (éd.).
(n° 25)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Permalien
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https://ricercardatalab.cesr.univ-tours.fr/works/1632/

Citation
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Regina caeli [083], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1632/] (accessed 30 janvier 2026).

Dernière modification : 19 novembre 2025