Alma redemptoris mater [145]

Cornelius de Veye

Titre complet / Autres titres

AR145 [1.p.] Alma redemptoris mater 4 vv ; [2.p.] Surgere 4 vv ; [3.p.] Prius ac posterius 4 vv

Partitions

[1] Alma redemptoris mater

Polyphonic ensemble SATB

[C]-C1; A-C4; T-C4; B-F4. Chant, though it differs at some points with App. 1, permeates the imitative, contrapuntal texture. The text is missing from the A and B of the first section, B of the middle section and from all voices in the third section “prius ac posterius.” Except for the conclusion of the first section in duple mensuration, the first and third sections are in triple mensuration; the middle section in duple mensuration. The setting opens with chant statements on f and c; thereafter all chant references are on c and g. Final C, b♭ signature for A and T in first section and B in second section; no b♭ in signature for third section.

[2] Surgere

Polyphonic ensemble SATB


[3] Prius ac posterius

Polyphonic ensemble SATB

Personnes associées

Cornelius de Veye - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

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Alma redemptoris mater, quae pervia caeli porta manes
Et stella maris, succurre cadenti surgere qui curat populo:
Tu quae genuisti, natura mirante, tuum sanctum genitorem:
Virgo prius ac posterius, Gabrielis ab ore sumens illud, Ave, peccatorum miserere.

Bibliographie

Éditions modernes

[DEDM 63]

Forster, G., 1997, Frische Teutsche Liedlein.
(n° 63)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1309/

Citation
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Alma redemptoris mater [145], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1309/] (accessed 30 janvier 2026).

Dernière modification : 14 novembre 2025