Alma redemptoris mater [063]

Orlande de Lassus

Titre complet / Autres titres

AR063 Alma redemptoris mater 8 vv

Partitions

Alma redemptoris mater

Polyphonic ensemble SSAATTBB

Two equal choirs. C-G2; A-C2; T-C3; B-F3. High clefs. Entire range, G-a’’. No evidence of chant. Antiphony plays an incidental role with three quarters of the setting for tutti wherein the individual voices are integrated within the full texture; Chr. II is harmonically independent throughout; however, Chr. I is only independent when Chr. II is silent. One-fifth of the motet is devoted to the final phrase “peccatorum miserere.” A syllabic setting of the text prevails. Occasional use of octave leaps in individual voices and strong root movement throughout the setting. Final a.

Description

External link:
CPDL 09668 & 53973 [Choral Public Domain Library]

Personnes associées

Orlande de Lassus - Composer

Lieu et date de création

Aucune information.

Sources associées

Textes

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Alma redemptoris mater, quae pervia caeli porta manes
Et stella maris, succurre cadenti surgere qui curat populo:
Tu quae genuisti, natura mirante, tuum sanctum genitorem:
Virgo prius ac posterius, Gabrielis ab ore sumens illud, Ave, peccatorum miserere.

Bibliographie

Éditions modernes

[Lasso, 1894, vol. 21]

Lasso, O. di, 1894, Sämtliche Werke, F. Haberl et A. Sandberger (éd.), Leipzig.
(n° 726)

[Lasso, 2006]

Lasso, O. di, 2006, The Complete Motets 21, Bergquist P. (éd.), Madison.
(n° 56)

[Musica sacra 9]

Commer, F., 1884, Musica sacra. Cantiones XVI, XVII saeculorum praestantissimas quatuor pluribusque vocibus accomodatas, 9, Regensburg, Allemagne.
(n° 20)

Références

Aucune information.

Contributeurs

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Permalien
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https://ricercardatalab.cesr.univ-tours.fr/works/1227/

Citation
Copié !

Alma redemptoris mater [063], dans RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1227/] (accessed 30 janvier 2026).

Dernière modification : 12 novembre 2025