Salve regina [392]

Anonymous

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SR392 Salve regina 3 vv ; [2.p.] Eja ergo 3 vv ; [3.p.] O clemens 3 vv ; [4.p.] O pia 3 vv ; [5.p.] O dulcis Maria 3 vv

Type

Motet

Scores

[1] Salve regina

Polyphonic ensemble STX

[C]-C1; T-C4; Ct-F3. Chant (App. 4) cast in continuous semibreves in each pars, serves as cantus firmus (T) surrounded by independent voices that include a variety of rhythmic gestures. A semibreve rest separates verses in pars 1 and 2. Principal cadences on final d involve an ascending octave leap in Ct and descending whole step in T (cantus firmus) often coupled with under-third melodic cadence (C). Text underlay of T is modeled upon plainsong; text incipits define C and Ct. Final d (1.p., 2.p., 5.p.), a (3.p., 4.p.).
[2] Eja ergo

Polyphonic ensemble STX

[3] O clemens

Polyphonic ensemble STX

[4] O pia

Polyphonic ensemble STX

[5] O dulcis Maria

Polyphonic ensemble STX

Associated people

No associated person.

Creation place and date

No information.

Associated sources

Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliography

Modern editions

[Sieben Trienter codices]

Ficker, R. (éd.), 1960, Sieben Trienter codices: geistliche und weltliche Kompositiones des 15. Jhs, Graz.
(pp. 67-69)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2341/

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Salve regina [392], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2341/] (accessed 21 January 2026).

Last modification: Dec. 4, 2025