Salve regina [389]

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SR389 Salve regina 3 vv ; [2.p.] Ad te suspiramus 3 vv ; [3.p.] Benedictus 3 vv ; [4.p.] O clemens 3 vv ; [5.p.] O pia 3 vv ; [6.p.] O dulcis virgo mater Maria 3 vv

Type

Motet

Scores

[1] Salve regina

Polyphonic ensemble STX

[C]-C1; T-C4; [Ct]-F3. “Salve” intonation (C). Paraphrased chant (App. 4) in C supported by equal voices characterizes partes 1 and 2. Although the textual narrative of the three acclamations, verses 7-9 (4.p., 5.p., 6.p.), complements pars 1 and 2, chant plays a minor role. Contrast between trio and duo sections significantly emphasizes structure. Duos constitute more than two-thirds of 2.p.: C/T, verse 4, mm. 40-68; T/Ct, “Eya ergo,” mm. 69-78: and T/Ct, “benedictum…ostende,” mm. 112-28. Double leading tone cadences dominate. Triple mensuration defines partes 1, 4 and 5, duple mensuration, 2 and 3, and compound duple, 6. Text is limited to C. Final d (1.p., 3.p., 6.p.), C (2.p.,), F (4.p.), a (5.p.).

[2] Ad te suspiramus

Polyphonic ensemble STX


[3] Benedictus

Polyphonic ensemble STX


[4] O clemens

Polyphonic ensemble STX


[5] O pia

Polyphonic ensemble STX


[6] O dulcis virgo mater Maria

Polyphonic ensemble STX

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Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliography

Modern editions

[Sieben Trienter codices]

Ficker, R. (éd.), 1960, Sieben Trienter codices: geistliche und weltliche Kompositiones des 15. Jhs, Graz.
(pp. 58-60)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Salve regina [389], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2338/] (accessed 20 January 2026).

Last modification: Dec. 4, 2025