Salve regina [361]

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SR361 Salve regina 4 vv ; [2.p.] Et Jesum 4 vv

Type

Motet

Scores

[1] Salve regina

Polyphonic ensemble SATB

[D]-G2; [A]-C1; [T]-C3; [B]-F3. High clefs. Entire range, G-f’’. No evidence of chant. Tenor in semibreves and breves associated with three acclamations (verses 7-9, mm. 49-57) conveys the attributes of a borrowed melody. Cadences articulate verses or half verses (verses 4, 5 & 6) with brief imitative overlap of subsequent verse (e.g., verses 2, 3, 4 & 7) providing a sense of continuity; to emphasize the significance of verse 5, the centerpiece of the antiphon, a homorhythmic texture introduces the verse. Except for short imitative introductions to verses 3, 4 & 7, half verses “illos tuos… (mm. 27-8) and “nobis post…” (mm. 43-4), a homorhythmic style with voice independence and full-voice texture prevails. Syllabic text setting defines the antiphon. Final F, b♭ signature.
[2] Et Jesum

Polyphonic ensemble SATB

Associated people

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Creation place and date

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Associated sources

Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliography

Modern editions

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References

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Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2310/

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Salve regina [361], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2310/] (accessed 20 January 2026).

Last modification: Dec. 4, 2025