Salve regina [335]

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SR335 Salve regina 4 vv ; [2.p.] Ad te clamamus 4 vv ; [3.p.] Eya ergo 4 vv ; [4.p.] O Jesum 4 vv

Type

Motet

Scores

[1] Salve regina

Polyphonic ensemble SSAT

[C I]-C1; [C II]-C1; [A]-C3; [T]-C4. Entire range, c-f’’. Two equal C voices, e’-f’’. No evidence of chant. A full-voice homophonic texture prevails until the final verse (“O dulcis…Maria”) whereupon imitation of rhythmic/melodic motives comprised of minums and semiminums intensifies the character of the antiphon. A syllabic style defines the text setting. Final d (1 & 3.p.), a (2 & 4.p.).
[2] Ad te clamamus

Polyphonic ensemble SSAT

[3] Eya ergo

Polyphonic ensemble SSAT

[4] O Jesum

Polyphonic ensemble SSAT

Associated people

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Creation place and date

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Associated sources

Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliography

Modern editions

No information.

References

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Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2284/

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Salve regina [335], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2284/] (accessed 21 January 2026).

Last modification: Dec. 4, 2025