Salve regina [246]

Giuliano Tiburtino

Full title / Other titles

SR246 Salve regina 3 vv ; 2.p. Eya ergo 3 vv

Type

Motet

Scores

[1] Salve regina

Polyphonic ensemble SAT

C-C1; A-C2; T-C4. Chant (App. 4) permeates the imitative, contrapuntal texture that introduces both partes (mm. 1-15 and 59-62). Thereafter, large segments of the antiphon include chant as a migrating cantus firmus set apart in semibreves and breves. In 1.p. the cantus firmus is associated with “suspiramus” (A, mm. 40-3) and “in hac lacrimarum” (T, mm. 49-54). Cantus firmus treatment dominates 2.p. with verses structurally defined.

v. 5v. 6v. 7v. 8v. 9
mm.59-9394-128129-43144-54155-70
C.F.T, 69-77;T, 94-8, 112-16;TCA
A, 85-8A, 116-19

Contrasting triple mensuration distinguishes “benedictum fructum ventris tui” (mm. 101-9) of verse 6. Declamatory text setting prevails. Final d; to complement chant, verses 7 and 8 cadence on a.
[2] Eya ergo

Polyphonic ensemble SAT

Associated people

Giuliano Tiburtino - Composer

Creation place and date

No information.

Associated sources

Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliography

Modern editions

[Italia sacra musica]

Jeppesen, K. (éd.), 1962, Italia sacra musica: musiche corali Italiane sconosciute della prima metà del cinquecento, Copenhagen.
(n° 19)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Salve regina [246], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2195/] (accessed 21 January 2026).

Last modification: Dec. 3, 2025