Salve regina [100]

Elzéar Genet dit Carpentras

Full title / Other titles

SR100 Salve regina 4 vv ; 2.p. Eya ergo 2 vv ; 3.p. Et Jesum 4 vv

Type

Motet

Scores

[1] Salve regina

Polyphonic ensemble SATB

S-G2; A-C2; T-C3; B-C4. High clefs. Entire range, B♭-f’’. Anticipatory chant (App. 4) motives linked to “salve regina,” “vita dulcedo” and “gementes” introduce paraphrased chant (S) cast in rhythmic gestures similar to other voices. The chant melody associated with “Et Jesum” appears as breves (A) within a self-contained section. Supporting voices include new material that may involve imitation (e.g., “misericordiae,” B, T, and A, mm. 10-13). Text setting combines syllabic and melismatic styles. The word “semper” is inserted in verse 9. Final g, b♭ signature.
[2] Eya ergo

Polyphonic ensemble

[3] Et Jesum

Polyphonic ensemble SATB

Associated people

Elzéar Genet dit Carpentras - Composer

Creation place and date

No information.

Associated sources

Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliography

Modern editions

[CMM 58]

Genet, E., 1972, Elzéar Genet (Carpentras), Opera Omnia, Seay A. (éd.).
(n° 24)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2049/

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Salve regina [100], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2049/] (accessed 20 January 2026).

Last modification: Dec. 1, 2025