Regina caeli [254]

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RC254 Quia quem meruisti 4 vv ; [2.p.] Ora pro nobis 4 vv

Type

Motet

Scores

[1] Quia quem meruisti

Polyphonic ensemble SATB

[C]-C1; [A]-C3; [T]-C4; [B]-F4. Alternatim setting. Chant (App. 3) appears intact for initial pitches of textual phrases but is treated with freedom as voices unfold within an imitative, contrapuntal fabric. In contrast to duple mensuration of the 1.p., the entire 2.p. is in triple mensuration; comprising two thirds of the 2.p. the “alleluia” section (a repeated 8-measure phrase) exhibits highly syncopated rhythmic gestures. Declamatory text setting is primarily in syllabic style. Final F, b♭ signature.

[2] Ora pro nobis

Polyphonic ensemble SATB

Description

Unattributed entries RC253-RC260 in LeidGA 1442 are possibly by Johannes Flamingus who is credited with 12 compositions in the manuscript and was also one of the scribes.

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Creation place and date

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Associated sources

Sung texts

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliography

Modern editions

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References

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Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1803/

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Regina caeli [254], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1803/] (accessed 20 January 2026).

Last modification: Nov. 24, 2025