Regina caeli [076]

Foliot

Full title / Other titles

RC076 Regina celi 4 vv ; [2.p.] Et resurrexit 4 vv

Type

Motet

Scores

[1] Regina celi

Polyphonic ensemble AB

[A]-C3; [B]-C5. Two notated voices with double canon at the upper fourth at the distance of one breve. Chant (App. 3), transposed a fourth lower, is relegated to the lower voice in breves and semibreves; the second and fourth “alleluia” sections primarily consist of new material. Chant for “quia quem meruisti portare” is structured in four segments, one for each word. The final “alleluia” in contrasting triple mensuration repeats the opening portion (mm. 100-107 restate mm. 84-91). Melismatic style defines the text setting in the upper voice as well as the “alleluia” sections. Final F, b♭ signature.

[2] Et resurrexit

Polyphonic ensemble AB

Description

In Les musiciens de la cour de Bourgogne au xve siecle (1420-1467), pp. 237-9, the editor confused the signum congruentiae with a corona and therefore placed a hold above the respective pitches rather than the point for the entries of the following voices (comes).

Associated people

Foliot - Composer

Creation place and date

No information.

Associated sources

Sung texts

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliography

Modern editions

[Marix 1937]

Marix, J., 1837, Les Musiciens de la cour de Bourgogne au XV° siècle (1420-1467), Paris.
(pp. 237-9)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1625/

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Regina caeli [076], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1625/] (accessed 22 January 2026).

Last modification: Nov. 19, 2025