Regina caeli [035]

François Bourguignon

Full title / Other titles

RC035 Regina caeli 4 vv

Type

Motet

Scores

Regina caeli

Polyphonic ensemble SSTB

S-C1; C-C3; T-C4; B-F4. Chant (App. 3) appears intact and usually in semibreves at the beginning of textual phrases where it permeates the imitative, contrapuntal fabric. A motive derived from chant and paired with “laetare” becomes the principal melodic material for the following “alleluia” segment; the second “alleluia” uses a variant of the “laetare” motive whereas the remaining “alleluia” sections include new material. To emphasize the final “alleluia” Bourguignon restates the textual/musical material (mm. 75-85 repeat mm. 65-75) followed by a four-measure coda. Final F, b♭ signature.

Description

Bourguignon’s Regina caeli, one of seventeen Marian antiphons included in Pierre Attaingnant’s print of 1535, was intended for use at Salve services in honor of the Virgin. Pierre Attaingnant’s print (1535|4) consists entirely of seventeen settings of three Marian antiphons, (2 Ave regina caelorum, 8 Regina caeli and 7 Salve regina). As its title indicates (“musicales ad virginem christiparam salutationes”), Attaingnant compiled these works for use at Salve services in honor of the Virgin. The seventeen antiphons, attributed to French and Franco-Flemish composers, include the respective chant quotations, often paraphrased, within an imitative, polyphonic texture. Only two of the antiphons had been published prior to Attaingnant’s Lib. Duodecimus: Josquin’s 5-voice Salve regina (SR128) and J. Richafort’s 5-voice Salve regina (SR230). Willaert’s 5-voice Regina caeli (RC222) first appeared in 1535|4, but was also published in subsequent printed editions. The remainder of the antiphons are available only in Attaingnant’s publication: M. Sohier, AC122; M. Georget, AC052; M. Sohier, SR237; M. Sohier, RC199; P. Moulu, RC148; J. Rousée, RC195; Gombert, RC090; P. Vermont, RC209; F. Bourguignon, RC035; A. De Silva, RC061; C. de Sermisy, SR236; J. Conseil, SR066; J. Lhéritier, SR148; and H. Barra, SR034.

Associated people

François Bourguignon - Composer

Creation place and date

No information.

Sung texts

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliography

Modern editions

[Smijers, 1934]

Smijers, A. (éd.), 1934, Treize Livres de Motets Parus Chez Pierre Attaingnant En 1534 et 1535, Paris and Monaco.
(n° 10)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1584/

Citation
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Regina caeli [035], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1584/] (accessed 21 January 2026).

Last modification: Nov. 17, 2025