Ave regina caelorum [062]

Jachet de Mantoue

Full title / Other titles

AC062 1.p. Ave regina caelorum 5 vv ; [2.p.] Gaude gloriosa 5 vv

Type

Motet

Scores

[1] Ave regina caelorum

Polyphonic ensemble SATBX

C-C1; A-C3; Q-C3; T-C4; B-F4. The initial pitches of chant (App. 2) appear in all voices at the beginning of the respective textual phrases of the antiphon; occasionally, a complete chant phrase is relegated to the T and/or C. To complement the identical chant content for “ave regina coelorum” and “ave Domina angelorum” the same music is employed for each phrase in Jacquet’s setting (mm. 1-18 equal 18-35).[1] A predomiantly melismatic style prevails in the setting of the Pre-Tridentine text. Final F, b♭ signature.

1. Identical or similar statements of the complete polyphonic texture congruent with “Ave, regina caelorum” and “Ave, Domino angelorum” define Ave regina caelorum settings by B. Appenzeller (AC009), A. De Silva (AC035), H. Isaac (AC061), J. Mantua (AC062), B. Klingenstein (AC064), G. P. Palestrina (AC095) and Anon (AC186).
[2] Gaude gloriosa

Polyphonic ensemble SATBX

Associated people

Jachet de Mantoue - Composer

Creation place and date

No information.

Associated sources

Sung texts

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a.

This text contains variations from the original text.

Bibliography

Modern editions

[CMM 54]

Jacquet de Mantua, 1986, Jacquet de Mantua, Opera Omnia, Jackson P. et Nugent G. (éd.), Neuhausen-Stuttgart.
(n° 2)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Ave regina caelorum [062], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1378/] (accessed 21 January 2026).

Last modification: Dec. 11, 2025