Salve regina [302]

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SR302 Salve regina 6 vv

Type

Motet

Scores

Polyphonic ensemble SSATTB

[S I]-G2; [S II]-C1; [A]-C3; [T I]-C4; [T II]-C4; [B]-F4. Entire range, D-f’’. No evidence of chant. Textual phrases are differentiated through voice groups, mensuration and cadential patterns. To emphasize the tripartite structure of the chant, verse 5 (“Eia…”) in triple mensuration is full voice and in homorhythmic style. Specific textual phrases for three or four voices (e.g., “mater misericordiae,” S I, S II, A, T II, “et spes nostra,” T I, T II, B, “in hac lacrimarum valle,” S I, S II, A, T II, or “Et Jesum bendictum,” S I, S II, T I, T II, contrast with the surrounding full complement of voices. Declamatory text setting defined by syllabic style. Final d.

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Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

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References

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Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/2251/

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Salve regina [302], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/2251/] (accessed 27 January 2026).

Last modification: Dec. 4, 2025