Salve regina [037]

Jean Bonnevin alias Beausseron

Full title / Other titles

SR037 Salve regina 4 vv ; [2.p.] Eia ergo 2 vv ; [3.p.] Et Jesum 4 vv

Type

Motet

Scores

[1] Salve regina

Polyphonic ensemble SATB

S-C1; A-C3; T-C4; B-F4. Chant (App. 4) primarily relegated to S, frequently appears as breves and semibreves; for the text “O clemens” chant is cast in longae and breves in contrast with the more rapid rhythmic gestures (minums and semiminums) in lower voices engaged in an imitative fabric. Chant permeates the contrapuntal texture for “Et Jesus, benedictum” and the word “nobis” in the 3.p. To complement the chant, Beauserron repeats the polyphony of “Salve…misericoridae”

1. Salve regina settings by Arcadelt, SR021, Josquin, SR127, Misonne, SR172, Palestrina, SR195, Praetorius, SR216, Reiner, SR225, Richafort, SR230, Sermisy, SR236 and anonymous settings SR339, SR349, SR358, SR376, SR382, SR393, SR395 and SR476 follow the same procedure.
[2] Eia ergo

Polyphonic ensemble

[3] Et Jesum

Polyphonic ensemble SATB

Associated people

Jean Bonnevin alias Beausseron - Composer

Creation place and date

No information.

Associated sources

Sung texts

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Salve, regina, mater misericordiae;

Vita, dulcedo et spes nostra, salve.

Ad te clamamus exsules filii Hevae.

Ad te suspiramus gementes et flentes in hac lacrimarum valle.

Eia ergo, advocata nostra, illos tuos misericordes oculos ad nos converte.

Et Jesum, benedictum fructum ventris tui, nobis post hoc exsilium ostende.

O clemens,

O pia,

O dulcis virgo Maria.

Bibliography

Modern editions

[CMM 95]

Josephson, N. S., 1982, Early sixteenth-century sacred music from the Papal chapel.
(n° 7)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1986/

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Salve regina [037], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1986/] (accessed 23 January 2026).

Last modification: Nov. 28, 2025