Regina caeli [253]

Anonymous

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RC253 1.p. Quia quem meruisti 5 vv ; [2.p.] Ora pro nobis 5 vv

Type

Motet

Scores

[1] Quia quem meruisti

Polyphonic ensemble SSATB

[C I]-C1; [C II]-C1; A-C3; T-C4; B-F4. Alternatim setting. Chant (App. 3) significantly influences the antiphon due to frequent text repetitions with accompanying chant that permeates the imitative, contrapuntal texture. To highlight chant, specific quotations are realized in semibreves (e.g., T and B, “ora…Deum,” mm. 42-9). The “alleluia” of 2.p. introduces a motive that is imitated throughtout the transparent fabric (mm. 50-4) and concludes in full-voice texture (mm. 54-8) followed by a varied repetition (mm. 58-62). Declamatory style defines text setting. Final F, b♭ signature.

[2] Ora pro nobis

Polyphonic ensemble SSATB

Description

Unattributed entries RC253-RC260 in LeidGA 1442 are possibly by Johannes Flamingus who is credited with 12 compositions in the manuscript and was also one of the scribes.

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No associated person.

Creation place and date

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Associated sources

Sung texts

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliography

Modern editions

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References

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Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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https://ricercardatalab.cesr.univ-tours.fr/works/1802/

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Regina caeli [253], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1802/] (accessed 22 January 2026).

Last modification: Nov. 24, 2025