Regina caeli [099]

Marc’Antonio Ingegneri

Full title / Other titles

RC099 Regina coeli 4 vv ; 2.p. Resurrexit 4 vv

Type

Motet

Scores

[1] Regina coeli

Polyphonic ensemble SATB

C-C1; A-C3; T-C4; B-F4. Chant (App. 3), intact at the beginning of textual phrases, pervades the imitative, contrapuntal fabric. Whereas the first two phrases include the initial seven or eight pitches of the respective chant, the melismas are omitted except for principal pitches (c’, f, g, f) of the “portare” melisma. On the other hand, the double melisma associated with the final “alleluia” is fully represented as a cantus firmus in the T. For the second “alleluia” Ingegneri places the chant in both C and B at the interval of a twelfth; the middle voices have new material. Within a continuous texture declamatory text setting prevails. Final F, b♭ signature.

[2] Resurrexit

Polyphonic ensemble SATB

Associated people

Marc’Antonio Ingegneri - Composer

Creation place and date

No information.

Associated sources

Sung texts

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Regina caeli laetare, alleluia;
Quia quem meruisti portare, alleluia,
Resurrexit, sicut dixit, alleluia,
Ora pro nobis Deum, alleluia.

***

The Trope:

Alle Domine nate matris Deus alme nobis confer praestaque vivere:
Quam [quoniam] te decet laus honor O Domine qui de morte surgebas rex pie:
Fac nos tecum surgere, alleluia.

Bibliography

Modern editions

[Duggan 1968]

Duggan, M. L., 1968, Marc Antonio Ingegneri: Motets for Four and Five Voices, Thèse de doctorat soutenue à , 1968.
(pp. 130-133)

References

No information.

Contributors

Harry Elzinga - Project manager ; Scientific editor

Ailin Arjmand - Collaborative work

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Regina caeli [099], in RicercarDataLab [https://ricercardatalab.cesr.univ-tours.fr/works/1648/] (accessed 23 January 2026).

Last modification: Nov. 19, 2025