To the five "central chansonniers" of the French courtly songs repertoire of the second half of the 15th c., known since the 19th c., once labelled "Burgundian" and then "from the Loire Valley", was added another one since the public discovery of the Leuven chansonnier in 2015. The question of their provenance and precise dating is still much discussed. A new complete analysis of their decoration from an art historical viewpoint is still needed. The only available discussion of this matter is still a ten-page section of Paula Higgins' 1987 dissertation which argues for the Loire Valley provenance and connects some features of Niv's decoration to Jean Fouquet (Higgins 1987, p. 285-296, 'The Art Historical Evidence').
Musicologists interested in contributing are invited to contact the responsible of the project,
David Fiala.
Alden, J., 2011, Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers, Oxford, New York.
Christoffersen, P. W., 2013, The Copenhagen Chansonnier and the ‘Loire Valley’ chansonniers. An open access project.
http://chansonniers.pwch.dk/ (consulté le 27 avril 2024).
Fallows, D., 2021, The Chronology of the Central Chansonniers,
Journal of the Alamire Foundation, 13, p. 53‑63
https://www.brepolsonline.net/doi/abs/10.1484/J.JAF.5.124207 (consulté le 27 avril 2024).
Higgins, P. M., 1987, Antoine Busnois and musical culture in late fifteenth-century France and Burgundy, Thèse de doctorat soutenue à , 1987.
Merkley, P. A., 2017, Music and Patronage in the Court of René d’Anjou: Sacred and Secular Music in the Literary Program and Ceremonial, Tempe, Arizona.
O’Sullivan, R., 2024,
The Leuven Chansonnier: Provenance, Transmission, and Authorships - KU Leuven, Thèse de doctorat soutenue à Leuven, 2024
https://lirias.kuleuven.be/4135154&lang=en (consulté le 9 juin 2024).
